I'm fairly certain that everyone here has read at least Neuromancer (or knows the quotes/plot/tropes), but have you read the rest of the series or any of Gibson's other works? If you haven't given the rest of the Sprawl Trilogy a try yet, I recommend it. Count Zero gets ragged on quite a bit for being the weakest of the series, but your mileage may vary because I enjoyed it. I think Mona Lisa Overdrive is a stronger book than Neuromancer but not quite as influential. The writing in the first book feels a bit juvenile compared to the writing in MLO, and Gibson himself reflected on this in an interview. He said something to the effect of: "Neuromancer was a young man's tale."
I think a case can be made that the Sprawl Trilogy was Gibson's first, very basic ideas of what a cyberpunk world might actually look like. A lot of ideas about cyberpunk were updated and revised in the post-cyberpunk trilogy he wrote after it, the Bridge Trilogy. The Blue Ant Trilogy feels less like the cyberpunk of Neuromancer and much more like the cyberpunk of today.
The sky above the port was the color of television, tuned to a dead channel.The quintessential classic. The cyberpunk tale that started it all. Like Gibson's other trilogies, the main cast changes with every book with a handful recurring characters making multiple appearances. The jump between Neuromancer and Count Zero can be a bit off-putting for people who really liked the first book, but the pay-off is worth it when you see all of the pieces fall into place.
>Neuromancer (1984)>Count Zero (1986)>Mona Lisa Overdrive (1988)Short Stories>Burning Chrome (1986)>New Rose Hotel (1981)>Johnny Mnemonic (1981)He has long since come to prefer her in silence. He no longer inserts the yellowing audio beads. He has learned to provide his own, whispering to her as he fast-forwards through the clumsy titles and up the moonlit ragged hiliscape of a place that is neither Hollywood nor Rio, but some soft-focus digital approximation of both.If you like Kowloon Walled
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