No.2502
ATR is definitively the most cyberpunk music possible. I like to browse D-Trash Record's catalog, they have some fun stuff, although I am not sure how strictly digital hardcore their artists are.
No.2503
Rabbit Junk is and always will be a guilty pleasure of mine.
No.2505
>>2504Not really, it's retrofuturist dreck.
No.2506
Synthwave and 80'sish eletro is another take on Cyberpunk music.
But Digital Hardcore is more tied to anarcho-punk, Drum n Bass, grindcore, techno, etc.
They are both good, just different sides of the cyberpunk aesthetic.
No.2507
>>2505>>2506Yeah that's true. Guess I've really started to associate synths with cyberpunk.
No.2514
Personally I really like Vein, which is an up and coming grind/power-violence band with quite a bit of electronic influences. The Full of Hell-Merzbow Split was pretty great as well if noise is your thing, although Merzbow took more of a back seat on the album.
No.2516
>>2515This n0thanky0u band has a track called Infornography.
Maybe they are Lainheads lurking here somewhere
No.2517
>>2509I stopped listening to Death Grips after NO LOVE DEEP WEB. I'm not very found of industrial hip hop (even them, I prefer listening to Dälek or B L A C K I E). But I read that this EP and the Bottonless Pit have an electro, digital hardcore feel and are pretty different from the prior albums. Is it true?
No.2518
>>2517Bottomless pit is the catchiest death grips albums, and it draws from a lot of rock, mostly metal, on a lot of the track. And Gabber is a gabber mega-mix the death grips boys threw together, absolute bangers with stefan shouting at you, it got me back into death grips 8/10
okaydokey